Very very India
Star and Superstar.
2009. The year Indian municipalities discovered the wall.
From Mumbai to Guwahati, Bhubaneshwar to Bangalore, 2009 saw the city authorities giving painters, people and graffiti artists permission to paint the walls.
In Bangalore, it was started as a way to stop film posters from being plastered on the walls. In Mumbai, it was to keep the Tulsi Pipe Road from returning to the stink hole it was. And in all places it was an attempt to showcase the city or the state or spread a message.
In Bangalore and Bhubaneshwar, the wall paintings are straight out of the Govt. Tourism Department brochures but they did manage to get some good artists from the art colleges. Luckily, Mumbai is different. Here people have been allowed the freedom to paint whatever they want. (Pictures of the Tulsi Pipe Road paintings by Surendra Chaurasiya)
The writing on the walls of these cities are clear. All over India, the governments are still stuck in the Pre Berlin Wall days. The days of Government control and censorship. They are afraid to let the people speak their mind out.
In Bangalore and Bhubaneshwar, the wall paintings are straight out of the Govt. Tourism Department brochures but they did manage to get some good artists from the art colleges. Luckily, Mumbai is different. Here people have been allowed the freedom to paint whatever they want. (Pictures of the Tulsi Pipe Road paintings by Surendra Chaurasiya)
The writing on the walls of these cities are clear. All over India, the governments are still stuck in the Pre Berlin Wall days. The days of Government control and censorship. They are afraid to let the people speak their mind out.
Luckily, Mumbai breaks that mould. Even if it is only few privileged ones who went to paint on Tulsi Pipe Road, the style for the paintings came from the poor gallis off D'Monte Street.
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And across the border in Lahore. They have discovered the walls too.